__. = no author found.
________. = same author as preceeding.
* Schneemann as author or exclusive subject

2003

Alliez, Eric & Elisabeth von Samsonow (Hg.).  TransArt IV - Biographien des organlosen Korpers.  2003 Turia and Kant, Wien, Austria.  Pp. 183-201.  Illus. "More Wrong Things" (2000) pp. 184-85; "Vulva's Morphia" (1995) pp. 186-87; "Mortal Coils" (1994-95) pp. 188-89; "Hand/Heart for Ana Mendieta" (1986) pp. 190-91; "Infinity Kisses" (1981-87) pp. 192-93; "Unexpectedly Research" (1992) pp. 194; "Impressings" (1987-95) pp. 195; "Fuses" (1965) pp. 196.

Hendricks, Geoffrey ed.  Critical Mass - Happenings, Fluxus, Performance,Intermedia and Rutgers University 1958-1972 Exhibition Catalog.  2003 Rutgers University Press, New Brunswick, NJ.  Pp. ix, 13, 97-69, 82, 84, 89-94,96, 124, 151n5, 170, 205.  Illus. "Up To And Including Her Limits" (1973) pp. 89; "Noise Bodies" (1965) pp. 90; "Up To And Including Her Limits" (1975) pp. 92.

*Kubitza, Anette.  Fluxus, Flirt, Feminismus? - Carolee Schneemanns Korperkunst und die Avantgarde.  2003 Reimer, Berlin.

Pace, Lind & Jan Jarboe Russell. Dreaming Red - Creating ArtPace. ArtPace, San Antonio, 2003. Pp. 16, 25, 102-3, 184-89. Illus. pp. 103, 184-87, 189, 272, "Vesper's Pool" (1999).

Rexler, Lyle. "Using Art to Start A Global Conversation". The New York Times Newspaper. February 23, 2003. Pp. 51.

2002

__. "Creative Responses and Cautious Retractions". Art on Paper. Jan-Feb. Vol. 6, No. 3. pp.25.

__. El Cultural – Photo Espana Issue. June 12-18, 2002. pp. 39. Illus. pp. 39.

__. Exit 8 - Censurados/Censored. pp. 102-103. Illus. "Interior Scroll" (1975), pp.103.

__. FLUXUS Y FLUXFILMS 1962-2002. Museo National Centro de Arte Reina Sofia Exhibit Book. pp. 209-10. Illus. "Interior Scroll" (1975). pp. 196-97, "Meat Joy" (1964) pp. 198-99, Riena Sofia lecture pp. 333-34.

__. PHE 02 – FEMININOS. Photo Espana 2002 Exhibit Book. Ayuntamiento de Madrid. pp. 162-63. Illus. pp. 74-75.

__. PHE 02 – FEMININOS. Photo Espana 2002 Catalogue. La Fabrica. pp. 124-26, 229. Illus. pp. 125, 229.

__. UNDERVEJS - 222 tegninger fra Picasso til Yoko Ono. "After the Beginning and Before the End" Exhibit Catalogue. Louisiana Museum of Modern Art. Illus. pp. 122.

Baker, Steve. "What does becoming-animal look like?", in Representing Animals, Nigel Rothfels, Ed. Bloomington: Indiana University Press, 2002), pp. 67-98.

Balios, Knizni Klub. Dejiny Umeni/12. Euromedia Group, Prague 2002. Pp. 64. Illus. pp. 64, "Eye Body - 36 Transformative Actions", 1963.

Blanich, Tania, Ed. Commitment - The Rockefeller Foundation Media Arts Fellowships, 1988-2002. Rockefeller Foundation, NY. pp.69, 139. Illus. pp. 69, 139.

Carr, C. "The Legacy of Kathy Acker - Theoretical Grrrl". Village Voice. November 6-12, 2002. pp. 49.

Cahmi, Leslie. "Dinner Is Served". Village Voice Online. October 11, 2002, 5:00pm.

Cotter, Holland. "Two Nods to Feminist Long Snubbed by Curators". The New York Times Newspaper. October 11, 2002. pp. E35.

Dannatt, Adrian. Review of "Embodied" at P.P.O.W. Gallery, NYC. The Art Newspaper, No. 122, February 2002.

Dailey, Meghan. Art Forum International - Best of 2002 A Special Issue. December 2002. Review of "Gloria: Another Look at Feminist Art in the 1970's" (White Columns, NYC). pp. 141-142.

Dezeuze, Anna. "Meat Joy – All good clean fun asks Anna Dezeuze". Art Monthly.
June 2002, No. 257. pp. 1-6. Illus. pp. cover, 1-3, 5.

Doss, Erika. Twentieth-Century American Art. Oxford University Press, NY. pp. 148, 176, 181, 191. Illus. pp. 185.

Frederickson, Kristen and Susan Webb. Singular Women. University of California Press.

Gomez, Edward. "Gloria...". The New York Times Newspaper. October 13, 2002. pp. .

Gorden, Nada. The Poetry Project Newsletter. Issue Numer 191, October-November 2002. Review of Imaging Her Erotics. pp. 27.

Hertz, Betti Sue, ed. Axis Mexico - Common Objects and Cosmopolitan Actions. San Diego Museum of Art, 2002. Pp. 25, 91. Illus. pp. 26 "Eye Body - 36 Transformative Actions" (1963).

Kitamura, Katie. Review of Imaging Her Erotics - Essays, Interviews, Projects. Contemporary, April, 2002. pp. 69-70.

Maddex, Alison. Sex in the City, An Illustrated History. Universe Publishing, NY. Illus. pp. 220, "Meat Joy" (1964).

Pachmanova, Martina, ed. Neviditelna zena. One Woman Press. 2002. pp. 187-89. Illus. "Interior Scroll" (1975) pp. 188, "Up To And Including Her Limits" (1973) pp. 190.

Pritchard, Evan T. Native New Yorkers - The Legacy of the Algonquin People of New York. Council Oak Books, San Francisco/Tulsa 2002. pp. 249-250.

Rabinowitz, Paula. Black & White & Noir - America's Pulp Modernism Columbia University Press, NY. pp. 197, 201-203, 216, 218. Illus. pp. 219.

Robinson, Walter. Review of "Embodied". at P.P.O.W. Gallery, NYC. Artnet.com, February 5, 2002.

Schechner, Richard. Performance Studies - An Introduction. Routledge, London & NY. pp. 137-39. Illus. pp. 138.

*Schneemann, C. Imaging Her Erotics - Essays, Interviews, Projects. MIT Press; Cambrudge, MA.

Smith, Sidonie & Julia Watson, ed. Interfaces - Women/Autobiography/Image/Performance. The University of Michigan Press, Ann Arbor. 2002. Pp. 38, 104-06. Illus. pp. 81. "Interior Scroll" (1975).

Solimano, Sandra, ed. The Fluxus Connection. Neos Edizioni - Genova. pp. 166.

Valdez, Sarah. Review of "Embodied". at P.P.O.W. Gallery, NYC. Time Out, February 14-21, 2002. pp.61.

2001

"Cabinet". "Where the Wild Things Are: An interview with Steve Baker". Autumn 2001. pp. 94.

Centres Pompidou, Les Annes Pop. Exhibition book. Centres Pompidou, Paris. pp.64, 78.

The Drama Revew. "Carolee Schneemann's Early Drawings". Summer 2001. pp.9-54. 96. illus pp. 96 . "More Wrong Things" (review of exhibition at White Box, NYC).

Dreher, Thomas. Performance Art nach 1945. Wilhelm Fin Verlag, Munich.

Felver, Chris.  The Importance of Being.  Arena Editions, Sante Fe, NM.  Illus. pp. 362.

"Frieze". "Other voices - Michael Bracewell talks to Carolee Schneemann". October 2001, Issue 62. pp. 76-81. Illus. pp. 76-77, 79-80.

Grosenick, Ute, Ed. Women Artists, In the 20th and 21st Century. Taschen, NY. pp. 482-487. Illus. pp. 483-487.

Holland, James C. Review of Imaging Her Erotics - Essays, Interviews, Projects. Afterimage, July/August 2001. pp. 20.

Hulguera, Pablo. tema celeste contemporaryart magazine. E-Gabrius USA Corp., NY. pp.

Iles, Chrissie. Into the Light; The Projected Image in American Art 1964-1977. Whitney Museum of Modern Art Exhibition Book. pp. 66, 68. Illus. pp 52.

Kahn, Douglas. Noise Water Meat – A History of Sound in the Arts. MIT Press, Cambridge, MA. pp. 285, 322.

Martel, Richard, Ed. Art Action 1958-1998. La Lieu, Quebec.

"The Nation". "Vagina Monologues" by Arthur Danto. September 3/10, 2001. pp. 42-47.

Overweel, Pieternal. "Kunstlicht". "Performance" issue. "Interview with Carolee Schneemann". Magazine year 22, 2001. Number 4, pp. 35-40.

Perez, Pilar, Ed. Extra Art: A Survey of Artists' Ephemera, 1960-1999. CCAC - Smart Art Press, San Francisco. pp. 179. Illus. 179. Meat Joy (flyer from Judson Memorial Church, 1964.

Reckett, Helena, Ed. & Phelan, Peggy, Survey. Art and Feminism. Phaidon Press Limited, 2001. pp. 29, 51, 64, 214-15, 219-20, 267, 269, 270-71. Illus. pp. 63, "Eye Body: 36 Transformative Actions" (1963) & "Meat Joy" (1964), 82 "Interior Scroll" (1975).

Robinson, Hilary, Ed. Feminism-Art-Theory: An Anthology 1968-2000. Blackwell Publishers Ltd., London, 2001. Pp. censorship 53, 147-152; 'Fuses' 147, 148, 150, 151, 152; goddess 593; 'Infinity Kisses' 151; 'Interior Scroll' 151, 571; 'Meat Joy' 149; performance art 10, 33-4.

"Tate Magazine". "Animal rights and wrongs" by Steve Baker. Autumn, 2001. pp. 42-47. Illus. pp. 45 "Up To And Including Her Limits (with Kitch)" (1974).

Wen, Liao. No More Nice Girls – Interview with the American Feminist Critics and Artists. Asian Cultural Council, NYC. pp. 46-53. Illus. 46-47, 49, 51-52.

Wimmer, Elga. Arzulananlar/Les Voluptes exhibition catalogue. Borusan Art Gallery, Istanbul, Turkey.. pp. 32. pp. 33 Illus. "Fresh Blood– A Dream Morphology".

2000

Aronson, Arnold. American Avant-Garde Theatre: a history. Routledge, New York/London. pp. 164-66.

Art Monthly: "Babe Power" by Barbara Pollack. April 2000. pp. 7-10. Illus. pp. 9 "Interior Scroll".

Art Monthly: Review of "Site" with Robert Morris. April 2000. pp. 22. Illus. pp. 22 "Site".

Baker, Steve.  The Postmodern Animal.  Reaction Books, London.  Illus. pp. 88, 171.

Boggiano, Fabrizio.  Il Corpo Rinato.  Guerrina Rossi, Genova.  Illus: Ice Skating Naked, 1972.

Burrows, David. Making a Scene. University of Central England, Birmingham. pp. 34-38. illus 36-37

Cameron, Dan.  Art News. December 2000.  “Underrated/Overrated”. More Than Meat Joy, 1964.

Cone, Michele C.  Art News.  May 2000.  Review of “Vesper's Pool” at Emily Harvey Gallery.

Deepwell, Katy. “Vulva's Morphia, Carolee Schneemann”. n.paradoxa international feminist art journal. Desire and the Gaze, volume 6. http://web.ukonline.co.uk/nparadoxa/index.htm London. July, illus 46-47.

Deepwell, Katy.  “Sassy, or Not?”   Siksi Nordic Art Review XI  NO. 4, 1996.

Die Verletzte Diva - Hysterie, Kàrper, Technik in der Kunst des 20. Jahrhunderts. Oktagon. illus; 265.

Fineberg, Jonathan.  Art Since 1940—Strategies of Being (Second Edition). Prentice Hall, New Jersey.  illus;  383.

Gamwell, Lynn.  Dreams 1900-2000   Science, Art, and the Unconscious Mind. Cornell University Press, New York.  illus: 275.

Guasch, Anna Maria. El arte ultimo del Siglo XX Del posminimalismo a lo multicultural 1968-1995. Madrid. Alianza Forma, 2000. pp. 112-13.

Hanzlova, Jitka. Female. Deichtorhallen, Hamburg. Illus. bl. & wh. photo of CS. pp.63.

Harper, Glenn.  Interventions and Provocations - Conversations on Art, Culture, and Resistance.  State University of New York Press, Albany.  C.S.  interview with Carl Heyward pg. 189.

Hay, Deborah. My Body, The Buddhist. University Press of New England. pp.4 Detail of Infinity Kisses.

Here Kitty Kitty (2000 calendar).  Nexus Contemporary Art Center, Atlanta. Illus; July, “Infinity Kisses”, 1981-87.

Koestenbaum, Wayne. Cleavage. Ballantine, New York, p. 237.

Koestenbaum, Wayne.  Art Forum International, December.  pg. 128.

Karcher, Eva.  Schock und Entertainment.  Focus 25/2000.  “Eye Body”, 1963. Illus; 132.

Lipzin, Janis Crystal.  Millennium Film Journal.  Nos. 35/36.  pg. 41.

Montano, Linda M. Performance Artists Talking in the Eighties. University of CA Press, Berkley. pp. xi, xii, 4, 118-124. 145, 204, 517-518. illus. "Fresh Blood: A Dream Morphology", 1983. (photo: Ginerva Portlock)

Morgan, Robert C.  After the Deluge:  Essays on Art.  Red Bass Publications, New
York.  “Viet-Flakes”, 1965.  Illus 36-40.

Oddey, Alison. "Aphrodite Speaks: on the Recent Performance Art of Carole Schneemann" . New Theatre Quarterly, No. 62, Volume XVI, Part 2. pp. 155-162.

Pollack, Barbara.  "Babe Power", Art Monthly, April.  illus: 9 “Interior Scroll”.

Rothenberg, Jerome & Clay, Steven, editors.  A Book of the Book.  Granary Books, New York. pp:12, 383, 15, 473-475. "Up To And Including Her Limits".

Sanselighet Kjaerlighet Seksualitet.  Trondheim Kunstmuseum Exhibition Catalog. Jan-Feb 2000. pg.5, “Vulva's Morphia”.  illus; 25 “Unexpectedly Research”.

Schall, Jan. Tempus Fugit Time Flies. The Nelson-Atkins Museum of Art Exhibition  Catalog. pg 165-7.

Schwerfel, Heinz Peter.  Kunst-Skandale. Dumont Buchverlag, Koln.  pg. 8, 24-5, 34, 192.

Sexuality & Culture. Vol. 4, Number 3. Summer 2000. "Inhaling Passions: Art, Sex and Scent" by Jim Drobnick. pp. 37-56.

Smith, Roberta.  "Portrait of the Artist as a Young Woman:  Glossy Images That Both Mimic and Mock Male Sexuality."  New York Times/The Arts, July 2000.  pg. 1& 5.

Warr, Tracey, editor & Amelia Jones, survey. The Artist's Body - Themes and Movements.   Phaidon Press Limited, London.  Pp. 12-13, 17, 193, 211-12, 225, 252, 260; "Eye Body: 36 Transformative Actions" (1963) 24-25, 61, 196, 261, Illus. 24, 61; "Interior Scroll" (1975) 33, 144, 215, 250-51, Illus. 144; "Meat Joy" (1964) 21, 27, 60, 224, 262, Illus. 27, 60; "More Than Meat Joy" (1979) 24, 60-61, 90, 144, 215; "Naked Action Lecture" (1968) 206; "Up To And Including Her Limits" (1976) 90, 253, Illus. 90.

1999

Art Matters: How the Culture Wars Changed America, NYU Press.

Chicago, Judy & Edward Lucie-Smith.  Women and Art, Contested Territory.
Weidenfeld & Nicolson, London.  illus; 18, 171.

Cohen, Eileen.  Calender 2000.  Millennial Project for 184 artists. Center for
Curatorial Studies Bard College.  New York.  Graphpack Industries, Inc.  illus;
December.

Combalía, Victoria, Jean-Jacques Lebel. Jardín de Eros. S.E. Electa, S.A., Barcelona. pp. 48, 63, 295. Illus.

Conz, Francesco. Dupuy chez Conz. Editions Conz, Verona. Photo appears on front cover collage.

Conz, Francesco. Fluxus. Muzej suvremene umjetnosti, Zagreb studeni - prosinac 1999. illus: pg. 79.

Cameron, Kandel, Bonami,... Cream: Contemporary Art in Culture. Phaidon Press, London.
pp. 14, 228. Illus.

Celant, Germano and Clare Bell. Jim Dine: Walking Memory, 1959-1969. Solomon R. Guggenheim Foundation, NY, 1999. pp. 40.

Duncan, Michael. "Tracing Mendieta". Art In America. April 1999. pp. 110-113, 154.

* Eyler, Carolyn. Carolee Schneemann: Drawing Performance. University of Southern Maine. Illus.

Frueh, Joanna. Treatment of Women’s Bodies in Medical Science and Art. Dinnerware Gallery, Tucson, AZ. catalogue.

Howell, Anthony. The Analysis of Performance Art. Harwood Academic Publishers. pp.xv, 55, 89, 198.

Jones, Amelia. Body Art: Performing the Subject. University of Minnesota Press, Minneapolis, London. pp. 1-5, 9, 10, 13, 31, 51, 151, 159, 161-62, 164, 239, 242, 255, 301-302. Illus.

Klein, Jennie. "Feeding the Body: The Work of Barbara Smith". Performance Art Journal. 61. pp. 34.

Luelski, Abraham. NY Arts Magazine. October, 1999. illus; pg. 23

Marranca, Bonnie. "Bodies of Action, Bodies of Thought: Performance and Its Critics". Performance Art Journal. 61. pp. 10-23. ("Out of Actions" exhibition review).

Marranca, Bonnie & Gautam Dasgupta. Converstations on Art and Performance. "Carolee
Schneemann: Performance and the Body". (Interview with Robert Coe, 1979). pp. 330-336. Johns Hopkins University Press, Baltimore/ London.

O'Dell, Kathy.  Contract with the Skin.  University of Minnesota, 1998.

Paley, Maggie. The Book of the Penis. pp. 65,66. Grove Press, NYC

Phillips, Lisa. "The American Century, Art & Culture 1950-2000". Whitney Museum of American Art in association with W.W. Norton& Company, New York/London. pp; Site,163-66, 165, illus; 242, 243.

Reiss, Julie H.  From Margin to Center:  The Spaces of Installation Art.  Mit Press, Cambridge, Mass. illus:  "Divisions and Rubble", 1967, pg.74.

Rush, Michael. New Media in Late 20th-Century Art. Thames & Hudson. pages 41, 59, 78, illus. EyeBody 41; Mortal Coils 38; Snows 38,41.

Schneemann, Carolee. "Dream/Space/Object..... Death/Mother/Bird". Art Journal. Spring.
pp. 49-62. Illus.

Sarmiento, José Antonio. El Arte De La Acción. Vicenconsejería de Cultura Y Deportes. pg.123.

Strauss, David Levi. Between Dog & Wolf: Essays on Art and Politics. "Love Rides Aristotle Through the Audience: Body, Image & Idea in the work of Carolee Schneemann". Autonomedia, Brooklyn, NY. pp.72-89.

______________. Texte Zur Kunst. March Œ. 9:33. pp.60-61. Illus: "Up To And Including Her Limits". (on Pollock).

______________. NY Arts. Vol. 4. No. 5. cover.

Unterberger, Amy, ed. Women Filmmakers Encyclopedia: Women on the Other Side of the Camera. Visible Ink/ St. James Press, 1999. pp. 372-374. Illus: "Fuses".

Viso, Olga M. Regarding Beauty. Hirshorn Museum and Sculpture Garden Smilthsonian Institution, Washington, D.C. Hatje Cantz Publishers. illus. fig 39.

Vesna, Victoria and Connie Samaras, ed. Terminals. Cd-ROM including work by C.S.
www. arts.ucsb.edu/terminals

Weibel, Peter. Der Anagrammatische Körper. Kunsthaus Muerz. Köln, Germany. Photo: "Portrait Partials", 1970.

Woods, Tim. Beginning Postmodernism. Manchester University Press, Manchester and New York. pp.83, 154-155. Illus: "Cycladic Imprints", 1992.


1998

Ayers, Robert. "Out of Actions". Art Monthly. March. no. 214. p. 1-4. Illus: "Eye Body" installation.

Birringer, Johannes. Media and Performance Along the Border. Johns Hopkins University Press, Baltimore, 1998. pp.8-9, 155, 256-257, 274-275.

Bonomi, Giorgio/ Mascelloni, Enrico. Promuovere L’alluvione: Fluxus nella sua Epoca 1958-1978. exhibition catalogue. pp. 19, 65, 162, 200, 249. AP Publishers, Italy. Illus: "Eye Body", "Up To And Inlcuding Her Limits", "Breads", "Noise Bodies", early drawing.

Clay, Stephen and Phillips, Rodney. "Parts Of A Body House Book" A Secret Location on the Lower East Side, Adventures in Writing, 1960 - 1980.New York Public Library, 1998. pp.144 -145.

Dewey, Fred. "Letter from Freedom X: Carolee Schneemann and Artaud". Most Art Sucks: Five Years of Coagula. Smart Art Press, Santa Monica, CA, 1998. pp. 114-119. Illus.

Einzig, Barbara. "Girls Rule Boys Drool." ArtByte: The Magazi !ne of Digital Arts. vol. I. no. 5. Dec/ Jan. 1998-99. p. 19-25.

Enright, Robert. "The Articulate Body: Carolee Schneemann in Conversation". Border Crossings: A Magazine of the Arts. Winter. pp. 14-27. Illus.

Falvo, Patricia. "History, Women’s Work". New York Magazine. November 2, 1998. p.145.Illus.

Frank, Peter. Fluxus Fuxus Redux: Neo-Dada Sexuality In the 1960s and After. manuscript 1998.

Goldberg, Roselee. Performance: Live Art Since 1960. Harry Abrams, NY, 1998. pp. 10, 15, 17-18, 44, 92, 132. Illus: "Interior Scroll", "Meat Joy", "Up To And Including Her Limits".

Handelman, Michelle. "Tripod Women: Visionary Women - Carolee Schneemann". an interview at www.tripod.com/women/feature/columns/artists/carright.frame

Harvey, Dennis. "Is It Still Really Dirty?" San Francisco Bay Guardian. 9 December. p.59, 61. Interview w/ Ruby Rich discussing C.S.’s Fuses. Illus.

Haug, Kate. "Femme Experimentale: Interviews with Carolee Schneemann, Barbara Hammer, and Chick Strand." Wide Angle: A Quarterly Journal of Film History, Theory, Criticism, and Practice. Vol. 20, no. 1. January. pp. 1-49. Illus. "Fuses" performance, lecture.

Jones, Amelia. Body Art: Performing the Subject. University of Minnesota Press, Minneapolis/ London, 1998. pp. 1-5, 9, 10, 13, 31, 51, 151, 159, 239, 160-62, 164, 239, 242, 255, 301-302. Illus: C.S., "Eye Body".

Joselit, David. "Between Objects and Actions" Art in America. November 1998. pp.86-91.

Kauffman, Linda S. Bad Girls and Sick Boys, Fantasies in Contemporary Art and Culture. University of California Press, 1998. pp.4, 20, 52-56, 73, 80, 262, . 276, 277.

Koebel, Caroline. "From Danger to Ascendancy: Notes Toward Carolee Schneemann". Wide Angle: A Quarterly Journal of Film History, Theory, Criticism, and Practice. Vol. 20, no. 1. January. pp. 50-63. Illus. "Fuses", "Eye Body".

Koestenbaum, Wayne. "Bikini Brief" (Interior Scroll) . Artforum. Summer 1998. pp. 23-24.

Ed. Kunsthistorie ved Arhus Universitet."Carolee Schneemann". Sulto. March 1998. Odense. Denmark

Lord, Jeffrey P. "Kitch’s Last Meal" in Big As Life: An American History of 8mm Films. ed. Albert Kilchesty. Museum of Modern Art, NY/ San Francisco Cinematheque. pp. Illus: "Kitch’s Last Meal" stills. essay: pp. 77-78; 11, 100, 112, 117.

Matlin, David. "Echoes of Dionysus" Review of "More Than Meat Joy". Rain Taxi. April. pp.44-45.

McConquodale, Siderfil, Stallabrass, ed. Occupa 4tional Hazard: Critical Writing on New British Art. Black Dog Publishing, 1998. pp. 122, 127.

Moore, Barbara. "Peter Moore at Judson". Movement Research, Performance Journal #17. Published by Movement Research, Inc. Fall/Winter 1998/99.

Morgan, Robert C. The End of the Art World. The School of Visual Arts and Allworth Press, 1998. pp. 127-132, 134.

Preston, Janet. "New York Letter Bomb". Coagula. No. 31. January 1998. pp. 28-29.

Rich, Ruby B. Chick FLICKS, Theories and Memories of the Feminist Film Movement. Duke University Press, 1998. "Fuses"21-28, 112; "Interior Scroll" 24-25.

Robins, Corinne. "Rediscovering Sex in Feminist Art". Art Journal. Spring. Vol. 57. No. 1. pp. 88-89.

Roth, Martha. Arousal: Bodies & Pleasure. Milkweed Editions, Minneapolis. pp. 146, 159.

Rothenburg, Jerome and Pierre - Joris. Poems for the Millennium - Vol. II: From Postwar to Millennium. The University of California Press, Berkeley/ Los Angeles. pp. 436-439. Illus: "Interior Scroll".

Schimmel, Paul. Out of Actions: Between Performance and the Object 1949-1979. Catalogue to the exhibition. MOCA, Los Angeles/ Thames & Hudson, NY. pp. Frontispiece, 253, 293-297, 387, 404. Illus: "Eye Body", "Four Fur Cutting Boards", "Interior Scroll".

Schneemann, Carolee. "In Their Own Words". The Bardian. Spring.
______________. "Vulva’s School". Sulfur. 42; Spring 1998. pp. 14-21. Illus: "Vulva’s School".

Seppala, Vanhala, Weintraub, ed. "Interspecies Eros", Animal. Anima. Animus. Pori Art Museum Publications, 1998. pp. 128 - 137. Illus. "Infinity Kisses", "Vulva’s Morphia - Eternal Pussy".

Smith, Roberta. "Whe 9n Art Became a Stage and Artists Actors". New York Times. pp. 40-41.

Unterburger, Amy, ed. Women Filmmakers And Their Films. St. James Press, Detroit/ NY/ London. 1998. pp. 147-149, 373-375. Illus: "Fuses".

Weintraub, Linda. New York Foundation For The Arts, Advocacy. Fall Vol.1 No. 3 1998.

1997

Art Journal. "Carolee Schneemann: The Politics of Eroticism". Robert C. Morgan. Winter 1997.

Avgikos, Jan. "Carolee Schneemann/ New Museum". Artforum International. March. p. 94.
Illus: "Up To and Including Her Limits".

Bace, Bill. "AICA 1996-1997 Best Show Awards". REVIEW. November, 15. p. 1,5.

Barnes, Coomer, Freedman...., ed. The 20th Century Artbook. Phaidon Press Limited,
London, 1997. p. 415. Illus.: "Eye Body".

Biesel, Elke. "Lust und Wut einer Kunstlerin: Carolee Schneemann aus New York in Bonn". Kolner Stadt-Anzeiger. No. 55. 6 March.

Bogarts, Pierre; Swenters, Veerla. Shoes Or No Shoes? Schoe -nmakerij Swenters, Antwerpen, Belgium, 1997.

Brakhage, Stan. "Letter to Amos Vogel from Stan Brakhage, 5/13/57." Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice. Vol. 19. No. 2. (April). p. 78.

Coagula Art Journal. "New York Letter Bomb". January, 1997. p. 26, 28.

Cameron, Dan. "Glocal Warming". Artforum. December, 1997.

Carlton, Nathan. "Being Our Constructions: A Response to C. Schneemann’s Performative Reading Your Dog My Cat or Delirious Arousal of Destruction". The Bard Observer. 20 May, 1997. pp. 8-9. Illus.

Daigle, Claire. "Carolee Schneemann - New Museum" (review of C.S. retrospective). ART PAPERS. vol. 2, Issue 2. March/ April. p. 65. Illus: "Interior Scroll".

Daly, Ann. "Body of Evidence: Schneemann Retrospective Exposes Subversive Gestures".
Village Voice. 21 January. Illus: "Up To And Including Her Limits".

Dewey, Fred. "Letter From Freedom X: Carolee Schneemann Reclaims Art History". Coagula Art Journal. March. p. 24-28 and cover.

Elder, Bruce R. A Body of Vision, Representations of the Body in Recent Film and Poetry. WIlfrid Laurier University Press, 1997. pp.154, 156, 162, 233-76, etc.

Frank, Peter. "Glow, Whir and Babble: Film at 100". ART NET: World Wide Web Magazine.
5-page review of MOCALA exhibition "Hall of Mirrors: Art and Film Since 1945".

Frauen Museum Catalogue. Ruhm - Werke von Kunstlerinnen in nordrhein - westfalischen Museen. p. 172, 173. Illus: "Collage", 1970. Frauen Museum, Bonn.

Gaze, Delia, ed. Dictionary of Women Artists: Vol II. Fitzroy Dearborn Publishers, London/ Chicago. Illus: "Eye Body". Haden-Guest, Anthony. True Colors: The Real Life of the Art World. Atlantic Monthly.

Graham, Lanier. Goddesses. Abbeville Press, New York, 1997. p. 266. Illus: "Eye Body".

Handler, Beth. "Refusal and Reaffirmation: Carolee Schneemann’s Performances Against the Viet Nam War and The Politics of Gender". Issues of Performance in Politics and the Arts. pp. 177-194. Illus: "Eye Body", "Interior Scroll", "Snows", "Illinois Central". Doctoral dissertation.

Harris, Jane. "Carolee Schneemann: Intimately Public". REVIEW. Jan. 5. pp. 20-21.

Images Festival of Independent Film and Video, the Factory. "Known/ Unknown - Plague Column". p. 55. catalogue.

Jones, Ronald. "Carolee Schneemann - The New Museum, New York". Frieze. no. 34. May. p.88. Illus: "Infinity Kisses", "Up To And Including Her Limits".

Kimball, Roger. The New Criterion. "The Re peal of Reticence". January. p. 20-25.

Kirker/ Zurbrugg, ed. Francesco Conz: Intermedia and The Avant-Garde. Catalogue for exhibition at Queensland Art Gallery. Queensland Art Gallery, Australia. pp. 4, 8, 55, 78.
Illus: "Ice Naked Skating".

Konkrete, Poesie, Konzept, Kunst. Kunstverein, Rosenheim, 1997. pp. 77.

Kramer, Mark. "The Medium Is A Mess". Spy. Nov. pp. 38, 40. Illus: "Interior Scroll".

Kulterman, Udo, ed. Modern Masterpieces: The Best of Art, Architecture, Photography and Design since 1945. St. James Press. p. 128-131. Illus: "Meat Joy".

Kubitza, Anette. "Carolee Schneemann". Ruhm-Werke von Kunstlerinnen in nordrhein-westfalischen Museen. Frauen Museum, Bonn, 1997. pp. 172-3. Illus: Collage.

Lamontagne, Valerie. "Heroine Addiction". MIX. Spring 19
97. Vol. 22.4. page 53. Illus: "Interior Scroll".

Light Cone catalogue 1997. Collectif Jeune Cinema, Paris. p.148. 151. Illus. "Meat Joy".

Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. 2nd Edition; Prentice Hall, 1997. pp. 81-83. Illus: "Cycladic Imprints".

MacDonald, Scott. "Cinema 16: Documents Toward a History of the Film Society". Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice. Vol. 19. No. 2 (April). p. 79.

MacDonald, Scott. "Cinema 16: Documents Toward a History of the Film Society". Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice. Vol. 19. No. 1. (January). p. 12.

Murphy, Jay. "Assimilating The Unassimible: Carolee Schneemann in Relation to Antonin Artaud". / Parkett. No. 50/51, 1997. pp. 224-231 (German 232-239). Illus: "Meat Joy", "Vulva’s Morphia", "Water Light/ Water Needle", "Cycladic Imprints", "Mortal Coils", "Up To And Including Her Limits", "Eye Body", "Jim’s Lungs".

Odita, O. Donald. Interview extract and photograph in "The Body Issue". Rude. p. 17. Interview published in its entirety at http://plexus.org/connect

O'Dell, Kathy. "Fluxus Feminus". The Drama Review. p. 43-59. 41,1. Spring 1997. Illus: "Guerilla Gut Room", "Genitals Play Room" drawings.

O’Dell, Kathy. "Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s". Letters From Europe: Performance Research. Vol. 2, No. 1, Spring.
Allsopp, Gough, MacDonald, ed. p. 76. Illus: "Interior Scroll".

Performance Festival Odense, 1997. For Eyes and Ears. Odense, Denmark !, 1997. cover and p. 29. Illus: "Enter Vulva".

Preston, Janet. "New York Letter Bomb". Coagula. p. 30.

Princenthal, Nancy. "The Arrogance of Pleasure". Art in America. October. p. 106-109. Illus: "Up To And Including Her Limits", "Mortal Coils", "Native Beauties", "Hand/ Heart for Ana Mendieta".

Rugoff, Ralph. Scene of the Crime. UCLA/ Armand Hammer Museum, Los Angeles. p.64. Illus: "Up To And Including Her Limits".

Schneider, Rebecca. The Explicit Body in Performance. Routledge, New York/ London, 1997. p. 2, 7, 29, 30-8, 40, 46-7, 48-50, 60, 66, 72-9, 81, 83, 86, 99, 109, 117, 119, 128, 131-2, 149, 178-9, 181-3, 191, 195, 205, 227, 231-2. Illus: "Eye/Body", "Fuses", "Infinity Kisses", "Interior Scroll", "Site".

Schneemann, Carolee. More Than Meat Joy. McPherson & Co., Kingston, NY. 19 ;79, 1997.

____________. "Carolee Schneemann". aRUDE. no. 8. p. 17. Illus.

____________. Vulva’s Morphia. Limited Edition Artist Book. Edition of 35. Granary Books, NYC. 1997.

Schwabsky, Barry. "Carolee Schneemann - New Museum of Contemporary Art" (review of C.S. retrospective). art/text. pp. 80-81. Illus: "Up To And Including Her Limits".

Solomon, Deborah. Utopia Parkway: The Life and Work of Joseph Cornell. Farrar, Strauss, Giroux, New York, 1997. pp. 243-44, 273, 290-92, 300.

Stavru, Bill. "Pandora Speaks: An Interview with Carolee Schneemann ‘59". The Bardian. Summer 1997. cover, p. 1-4, 17. Illus: "Vulva Speaks", "Mortal Coils".

Stiles; Selz, ed. Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, Berkeley. pp. 682-83, 688, 714-18, 809.

Thiele, Carmela. "Der Korper wird Material. Stadt Revue, Bonn. p. 136. March. Illus: "Interior Scroll".

Weinberg, Abbie. "Carolee Schneemann - The New Museum of Contemporary Art, NYC/ Galerie Samuel Lallouz, Montreal" (exhibition reviews). Parachute. 86. p. 48. Illus: "Up To And Including Her Limits".

Wirth, Heidrun. "Holztafeln verbreiten Duftwolken". Bonner Kultur, Bonn/ Koln. 12 March.

1996

__. Art & Antiques. "The 100 Top Collectors in America". p.89. March 1996. "Interior Scroll".

__. The Poetry Project Newsletter. "What You Are Reading....". Issue #161. April/ May 1996. p. 7.

__. Elga Wimmer Gallery - Schneemann solo exhibition listing in "Galleries - Downtown". The New Yorker. August 5.

Anderson, Patricia. All of Us. Bantam Doubleday Dell, Spring Ú1996.

Bloch/ Celender. Mortal Remains. (400 artist comment on their mortal remains). An exhibition text: OK Harris Gallery, NYC/ Intermedia Arts Minnesota, Minneapolis. January 1996.

Body As Membrane. Exhibition catalogue from Kunsthallen Brandts Klaedefabrik, Denmark. Introduction by Valie Export and Kirsten Justesen. pp 78-83. Illus.

Brougher, Kerry. Hall of Mirrors: Art and Film Since 1945. Catalog for the exhibition. Museum of Contemporary Art, LA, 1996.

Cameron, Stiles, Levi-Strauss. Carolee Schneemann: Up To And Including Her Limits. Catalogue for New Museum retrospective. New Museum of Contemporary Art, 1996.

Camphausen, Rufus C. The Yoni: Sacred Symbol of Female Creative Power. Inner Traditions, Rochester, VT, 1996. p. 83,84. Illus Á: "Eye Body".

Castle, Frederick Ted. "Carolee Schneemann: Elga Wimmer and Associates". Review. Vol. 1, Number 3. June 1996. p. 13, 14.

Centre Georges Pompidou. Vertigo: Esthetique et Histoire du Cinema. Film program in conjunction with feminin/ masculin exhibition at Centre Georges Pompidou. Editions Jean Michel Place, Paris. 1996.

Cerrito, Joann, ed. Contemporary Artists. 4th Edition. St. James Press, Detroit. pp. 1043-1045.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent. pp. 124-127, 138, 139. Harry Abrams, Inc., 1996. Illus: "Meat Joy", "Site".

Crowder, Joan. "The end". Santa Barbara News-Press. 12 April. p. 23. Review of exhibition "Terminals: Considering the End" at UCSB - C.S.'s Mortal Coils.

Drain, Richard. ed. Twentieth Century Theatre: A Sourcebook. "Carolee Schneemann - Art In The Dark: A Letter to Artforum (1983)". pp.136-138, 233, 363.

Elkjaer, Bo. "Kunstige Kvinder". Ekstra Bladet. 20 January. Section 2, side 7. Review "Body As Membrane" exhibition, Denmark. Illus: "Interior Scroll".

Ferguson, Russell. Hall of Mirrors: Art and Film Since 1945. The Museum of Contemporary Art, Los Angeles/ The Monacelli Press, NY. 1996.

Frueh, Joanna. Erotic Faculties. University of California Press, Berkeley, Los Angeles, London, 1996. pp. 48-49, 90, 102-7, 143, 148-9, 163.

Glueck, Grace. "Of a Woman's Body as Both Subject and Object". The New York Times.
6 December. p. C29.

Grant, Annette. "Praising Famous Men, And an Empire or Two". The New York Times.
29 December.

Grue, Birgitte. "Nar kvinder gar i kodet pa sig selv". BT. 4 February. p. 30. Review of "Body as Membrane" exhibition, Denmark.

Hackman, William. "Yes, But What Is It?" The J. Paul Getty Trust Bulletin. Vol. 9, #3. Winter 1996. pp. 2-3. Illus. "EyeBody".

Heartney, Eleanor. "Carolee Schneemann at Elga Wimmer". Art in America. October. p. 113. Illus: "Known/ Unknown: Plague Column".

James, David. "Hall of Mirrors: Art and Film Since 1945". Art + Text. Review. no. 54. May.

Jones, Amelia. "Interpreting Feminist Bodies: The Unframeability of Desire" in The Rhetoric of the Frame: Essays Towards a Critical Theory of the Frame in Art. Cambridge University Press, 1996.

Kaye, Nick. Art Into Theatre: Performance Interviews and Documents. Harwood Academic Publishers, Netherlands, 1996. pp. 8, 25-39. Illus: Scan, Lateral Splay.

Klocker, Hubert. Herausgeber Kunstraum Wien: Projekte 1994 bis 1996. Triton, 1996. pp. 20-21, 48-51, 87. Illus: "Up To and Including Her Limits", "Mortal Coils".

Larson, Kay. "Women's Work (or Is It Art?) Is Never Done". New York Times. Sunday, January 7, 1996. p 35.

McClure, Lissa. "Carolee Schneemann: Elga Wimmer and Associates". Review. Vol. 1, Number 3. June. p. 27

Misfeldt, Mai. "Kroppens sprog". Berlingske Tidende. 3 February. Review of exhibition "Body As Membrane", Denmark. Illus: pre-performance action for "Up To And Including Her Limits".

Morgan, Robert C. Art Into Ideas: Essays on Conceptual Art. Cambridge University Press, 1996. p. 199-200. Illus: "Ask The Goddess".

New Museum of Contemporary Art. "Carolee Schneemann: Up To And Including Her Limits". C Goagula. 24. Mid-Autumn.

Preston, Janet. Coagula Art Journal. no. 20. "New York Letter Bomb". p. 14.

Rugoff, Ralph, K. Stiles, G. Pietrantonio. Paul McCarthy. Phaidon Publishers, London, 1996. p. 45. Illus: "Eye Body".

Sandler, Irving. Art of The Postmodern Era: From the Late 1960s to the Early 1990s. Harper Collins, 1996. p. 130-132. Illus: "Eye Body"

Schneemann, Carolee. Interviewed by Rebecca Schneider for The Explicit Body. Routlege and Kegan Paul. (On CS, Sprinkle, Finley, Bernhardt, McCauley, Spider Women).

___________. "Genius Envy". Art Forum. Nov. p. 10.

___________. "Vulva's School". M/E/A/N/I/N/G 19/20. May 1996. p. 98. Illus: "Vulva's School".

Schwabsky, Barry. "The Past Faces Off Against the Present". New York Times. Sunday, June 30.

Stichting World Wide Video Centre. 14 de World Wide Video Festival - Catalogue. "Miroslaw Rogala & Carolee Schneemann - Instructions Per Second: Chapter One". Stichting World Wide Video Centre, Den Haag, The Netherlands. 1996. p. 136-137.

Stiles, Kristine, Peter Selz, ed. Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, Berkeley, Los Angeles, London, 1996. pp. 682-83, 688, 714-18, 809.

Straayer, Chris. Deviant Eyes, Deviant Bodies: Sexual Re-orientation in Film and Video. Columbia University Press, NYC, 1996. pp. 85, 98, 235. Illus.: "Interior Scroll".

Troelsen, Anders. "Nar kunsten gar til korporligheder" . 23 January. Illus: "Interior Scroll".

Ultimate Akademie. "Carolee Schneemann". catalogue. Ulimate Akademie, Koln, 1996. p. 257.

Vtape Video Reference Guide, 199&Mac220;6. Toronto, Ontario, 1996. p. 173.

Weintraub, Linda; Arthur Danto and Thomas McEvilley. Art on the Ege and Over: Searching for Art's meaning in Contemporary Society 1970s-1990s. Art Insights, Litchfield, CT. pp. 165-170

Zuckerman, Heidi. (nude) A Comparison of the Body of the Artist in Video from the 1970s and 1990s. Essay for the exhibition at Trans Hudson Gallery, 1996.

1995

Bernadac, Marie-Laure; Storrs, Robert (and others). Feminin/ Masculin Le Sexe de L'Art. Catalog for the exhibition. Editions du Centre Pompidou, Paris, 1995.

Bociurkiw, Marusya. "Carolee Schneemann: The Western Front, Pacific Cinemateque, Vancouver" . Parachute. 79. July/Aug/Sept. pp. 53-54. Illus.

Brignone, Patricia. "Hors Limite - L'art et L&Mac254;a Vie 1952-1994" ("Out of Bounds - Art and Life 1952-1994") art press, Paris. 198: January. pp 18-19.

Ferrara, Mills, Scales. "Carolee Schneemann: Nobody Doesn't Like Carolee". Art X. Winter 1995. Review of SUNY New Paltz Visiting Artists Lecture. pp. 11-12. Illus: "Cycladic Imprints".

Garber, Frederick. Repositionings. Pennsylvania State University Press, 1995. pp. 5, 6, 9, 15, 72, 85, 88-128, 135, 140, 146, 148, 174, 188, 193, 206, 220. Illus.: More Than Meat Joy cover.

Grootenboer, Doris. "Vrolijke boel van seks en kunst". Algemeen Dagblad. 18 November. (article on Pompidou's Femininmasculin: Le Sexe de l'art exhibition.)

Klotz, Heinrich/ Schmid, Christof. (Foreword). Internationaler Videokunstpreis 1995 catalog. pp. 106-7. Illus. "Instructions Per -Second" with Mirek Rogala.

Lippard, Lucy. The Pink Glass Swan: Selected Feminist Essays on Art. The New Press, NY, 1995. pp. 15, 100, 103-104, 241. Illus: "Interior Scroll".

Man, Jos de. "Tobben over seks". HP/ DE TIJD. 17 November. p. 73. (article on Pompidou's Femininmasculin: Le Sexe de l'art exhibition.)

Martin, H.; Lucato, G. ed. Fluxus: Una Storia Veneto. Museo Biblioteca Archivio, Bassano del Grappa, Italia, 1995.

Phillips, Lisa. Beat Culture and The New America: 1950-1965. Whitney Museum of American Art, 1995. pp. 86, 257, 275. Illus: "Quarry Transposed- Portrait of N.".

Pultz, John. Photography and The Body. Calmann and King, Ltd, London, 1995. pp. 128, 129, 131, 140. Illus: "Interior Scroll".

Rathus, Nevid, Fichner-Rathus. Human Sexuality In A World of Diversity. Allyn & Bacon, Boston f. 1993, 1995. (Illus. from "Unexpectedly Research".)

Rinder, Larry, ed. In A Different Light. Book for the exhibtion. City Lights Books, 1995. Illus: "Saw Over Want".

Sanford, Mariellen R. Happenings and Other Acts. Routledge, 1995. Front and back cover and pp.246-262. Illus.

Schneemann, Carolee. "Anti-Demeter". Progress Report 3. London. pp. 16-17.

________________. ".....Enter Vulva". October: Feminist Art and Critical Practice. 1995.

____________. "Mortal Coils". Long News In The Short Century. 5. Illus: pp.12-13 and front and back covers.

____________. 13th Moon. Text and illustration from "Fresh Blood: A Dream Morphology". Front cover and pp.144-147. Illus.

Smith, Roberta. "Venice: Men Look, Women Display". New York Times. Sunday, July 9, 1995.

Taylor, Brandon. Avant-Garde and After: Rethinking Art Now. Harry Abrams, NY, 1995. pp. 26-27. Illus: "Interior Scroll".

Vetrocq, Marcia. Art In America. "Report From Paris: Mixed Messages"/ "'Beyond Limits' at the Pompidou Center". May. pp. 41-44.

Vigier, Rachel. Gestures of Genius: Women Dance and the Body. Mercury.

World Bank. Women and Art: Empowering Narratives. Transcript from World Bank Program on Gender. November 14, 1995 with Jenny Marketou, M.M. Serra, Berta Sichel. pp. 3, 16-19.